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Jan 13, · Rudimental feat. John Newman & 2Pac - Feel the Love (Max Liese Remix) - Duration: Get The Sound 2,, views. Instrumentals consists of Clams Casino's reconstructions of backing tracks he originally produced for rappers such as Lil B and Soulja Boy. An electronic mixtape, it features illbient, glitchbeat, and chillwave styles. Some of the mixtape explores a more traditional hip hop 2048GAME.MOBI: Instrumental hip hop, electronic, . Le premier EP de Clams Casino, Rainforest, est sortie en .Ses mixtapes Instrumentals sont publiés en mars de la même année , suivi d'Instrumentals 2 en , Instrumentals 3 in  et Instrumentals 4 en
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NOZ [ silence ] Alright. I just always liked that beat. NOZ With that in mind, what are you working on now? After my friend told me about her, I went and looked for some on my own and found some other stuff from her. Instrumental hip hop electronic illbient glitchbeat chillwave. We did end up doing a lot of songs, but never put a whole tape out. More people should do that.
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When the name Clams Casino began to circulate widely among music aficionados in the early s, it seemed that the producer represented something more significant than the sum of the tracks he laid down for various underground rappers to plow over. Part of this uncanny sense could be ascribed to anonymity. Vaguely opulent moniker aside, Clams Casino existed as little more than a Myspace account and email address.
No one in music knew the beatmaker personally. He was a digital wraith, and the less one knew, the more one could speculate. But there was something in his music as well. With their digitized and wraithlike ambient synths in the higher frequencies, anchored by melancholic and foreboding bass, the beats seemed loaded with the weight of meanings yet to be articulated.
Normally, producers would clear out the mid-range frequencies of instrumentals to make space for spoken verses to be added later; challenging rappers in a domain long conceded to them without issue, Clams crammed those frequencies with vocal samples, demanding, in effect, that the recording artist match or exceed their spirit.
The vocal samples put to work by Clams were rarely simple reproductions, pruned from existing tracks but preserved in a recognizably intact state in their new setting: Clams had stressed, sliced, splintered, and otherwise modified his original samples until they sang in an unprecedented fashion.
At their frequent best, Clams Casino tracks sounded entirely self-sufficient: They required no words to feel complete. Unlike most rap instrumentals, the presence of a human voice and human language often seemed to diminish their own. For a careful observer, it was clear that not only could Clams Casino be more than a rap producer, symbiotically bonded to rappers in a union where he served as the lesser half — he actively wanted to be more.
Kicking around casinos is cool and fun, but there is always a big chance of losing your money. Every casino game in the world has a house edge, because they need to make profit. But the fact is, for the casino to make profit, someone has to lose…. This means you should expect to lose money in craps, as the game has negative expected value in total.
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